BEST OF THE EDINBURGH FRENGE FESTIVAL-A CELEBRATION OF UK PERFORMANCE ( CHONGQING 18-26 NOVEMBER, 2008 )
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HYSTERIA LOW LIFE Two of the best of the Edinburgh Fringe Festival dramas arrive in Chongqing in November 18! It is an opportunity for you to sample a range of the unique styles and traditions that make up contemporary UK theatre with four wonderful performances of these two original dramas in more than one week.
Vibrantly staged, emotionally engaging, experimental yet universally entertaining and accessible - these dramas explore the multi-dimensions of modern society and human sentiment. | Alongside the performance programme, the British Council(working in China as the Cultural and Education Section of the British Consulate General in Chongqing) has planned a series of post-show talks which will be open to the general public, which will give Chinese theatre professionals a chance to get closer to the creative action through discussions with the theatre companies about their work and the current UK arts scene. The Edinburgh Fringe Festival lasts 5 weeks from November 4 to December 7 in Chongqing, Beijing and Shanghai.
The first 100 e-members of the British Council who provide their user name to buy at most two tickets has the privilege of 10% discount. Register British Council Online
Chongqing: Cultural and Arts Centre of Chongqing Opera House (263, Ba Yi Road, Yuzhongqu District, Chongqing) HYSTERIA: 19:30, November 18-19 LOW LIFE : 19:30, November 25-26 Ticket: 023-86330111 Ticket Price: 150 RMB
Hysteria Presented by Inspector Sands and Stamping Ground Theatre Winner of the Total Theatre Award 2006 Short-listed for the Carol Tambor Award 2006 Adapted from T.S. Eliot's cognominal poem
In Hysteria we witness a painstaking attempt at social interaction. A man and a woman are on the most awkward dinner date of their lives. He is an academic whose research into modern day neuroses is threatening his sanity; she is an events manager who's terrified of missing the party. Caught in the middle is their mortified waiter, haunted by visions of global catastrophe. With irreverent humour, vivid physicality and visceral sound and lighting, Hysteria draws its audience into a world where the main course is a fight for survival.
'Beautifully observed… I laughed until I cried.' The Guardian
'This is a remarkable show… the dialogue is witty, intelligent and the comedic timing perfect. The perversity of the situation is perfectly exploited. A superb production, a Fringe must.' Edinburgh Guide
Low Life Inspired by the novel Pulp by Charles Bukowski Presented by Blind Summit Theatre
Nominated for a Total Theatre Award in Edinburgh 2005 Time Out Critics' Choice Sold-out three-week run at the London International Mime Festival 2006
This is puppetry for adults and possibly children too. Skilful interplay of puppets and live characters which redefines the relationship between manipulator and manipulated. The puppeteers don't attempt to hide from sight. Their charges openly acknowledge their presence and purpose. The puppets are exquisite, and so elegantly, vibrantly choreographed is their animation that they radiate character.
If puppetry is ever going to be the next rock 'n roll these animators may well be its frontmen.' Time Out
'Mad, bad and beautiful in equal measure.' The Guardian
The British Council's 10th Anniversary Edinburgh Showcase took place in Edinburgh during the Fringe and International festivals in August 2007. 250 leading international promoters from 50 countries saw 30 productions selected from the UK's most outstanding established and emerging companies working on the small- to middle-scale touring circuit. The programme showcased artists who are exploring contemporary issues in innovative ways and working across the disciplines of new writing, physical and visual theatre, and live art.
Since the inaugural Edinburgh Showcase in 1997, the British Council has presented more than 150 productions to an invited audience of international theatre programmers with 90 per cent going on to tour globally as a result.. The Showcase has provided an important marketplace for British theatre makers looking to build an international profile for their work, and an exciting gathering point for international theatre presenters from over fifty nations. They all come to Edinburgh to watch, buy, discuss, and argue over theatre and its unique capacity to illuminate shared emotions and preoccupations.
Organizer:
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